In the end the things she saw and the people she met on her travels led her to print her memories of several ancient civilisations onto our contemporary fabric. It was in South America that Emma François felt the first mystical impact, the turning point which foreshadowed a vocation. OK, that may be a cliché but it really doesn’t matter. It was when she came into contact with people who weave, embroider, sew and make things, drawing unquestioningly on a heritage of techniques and know-how, that she finally understood what she had to do and found her own way.

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